| Inner forearm | Usually a good fit for fine line. Smooth skin holds small detail well. | Expect a few weeks of peeling. Keep it clean and moisturised the way your artist tells you. |
| Outer forearm | Good fit. A flat surface suits fine lines, single-needle shading and small lettering. | Keep it out of direct sun while it heals. |
| Upper arm | Good fit for larger line pieces. Less movement than the elbow or shoulder. | Sleeping on it can rub it for a few nights. |
| Shoulder or collarbone | Good for flowing lines. Bony areas can make a session feel longer. | Bra straps and bags rub here. |
| Ribs or side | Possible for fine line, but thin skin and breathing movement can soften very tight detail. | Sleeping and tight clothing rub this area. |
| Behind the ear or neck | Works for small pieces. Keep the design simple. | Hair and collars rub the area. |
| Hand or fingers | Fine line here fades faster than on the forearm. Plan touch-ups. | Hands are used all day, so healing takes longer. |
| Calf or ankle | Calves hold line well. The ankle and top of the foot rub on shoes and fade faster. | Shoes and socks rub the area. |
| Thigh or upper back | Good fit for large pieces and flowing line. | Sitting and bed contact rub this area. |